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{"id":3587,"date":"2015-02-24T12:03:19","date_gmt":"2015-02-24T17:03:19","guid":{"rendered":"http:\/\/joaomacdowell.com\/?page_id=3587"},"modified":"2016-02-23T19:34:11","modified_gmt":"2016-02-23T19:34:11","slug":"a-trilogy","status":"publish","type":"page","link":"http:\/\/joaomacdowell.com\/guided-tour\/opera\/a-trilogy\/","title":{"rendered":"A Trilogy – very short operas for the Twitter Age"},"content":{"rendered":"
<\/div>\n
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very short operas for the Twitter Age<\/h2>\n
\n

\"Photo<\/a>Joao MacDowell – Rehearsal Symphony No1 – Photo by Athena Azevedo<\/p>\n

Composers’ Notes:<\/span><\/h4>\n

\u00a0<\/span><\/p>\n

\n
\n

I had a conversation with a marketing specialist.\u00a0She told me about contemporary attention span and the ideal efficiency\u00a0of our times: to convey a message in 20 seconds.<\/span><\/p>\n

That left me curious and I did some research on extremely short stories.\u00a0<\/span>The most famous example is attributed to Hemingway:<\/p>\n<\/div>\n

“For sale: baby shoes. Never worn.”<\/span><\/em><\/p>\n<\/div>\n

\n
\n
\n

As touching as it is concise.<\/p>\n

There is a whole genre that grew out of this premise. The second opera of\u00a0the series pays a tribute to this “6-word novel” scene.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

I \u00a0managed to keep all these little operas under a minute each. The first can be performed in 20 seconds strictly, the second is divided into\u00a0two “20-second acts,” allowing for the slow tempo, the third is likely to last about 30 seconds.<\/span><\/p>\n

Each orchestral score is within a two-page limit. The text is always under\u00a040 words total.<\/span>
\n Brecht and Weil also wrote the “Three Penny Opera” but that’s something\u00a0entirely different.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

…<\/p>\n

The project aims at an audio and video installation\u00a0featuring three simultaneous projections by Athena Azevedo and pre-recorded surround sound. The installation plays with the \u201cin between” space that characterizes part of what we have come to expect from the operatic genre and it puts in evidence the challenge of dealing with meaningful themes in a context of short attention span.<\/p>\n

…<\/p>\n

\n
\n
\n

Enjoy.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

Download PDF:<\/h3>\n

A Trilogy of Very Short Operas – Full Score<\/a><\/h3>\n

A Trilogy of Very Short Operas – Vocal Score<\/a><\/h3>\n
\n
\n
\n

\u00a0 Libretti:<\/strong><\/span><\/p>\n

1. Life<\/strong><\/span><\/h4>\n

– 20 sec.<\/span><\/p>\n

I have been trampled<\/span><\/p>\n

I’ve been crumbled<\/span><\/p>\n

I\u2019ve been scorned<\/span><\/p>\n

I\u2019ve had to fight.<\/span><\/p>\n

I\u2019ve been left<\/span><\/p>\n

I have regrets<\/span><\/p>\n

And I often need to cry.<\/span><\/p>\n

Life is a mess<\/span><\/p>\n

And then you die.<\/span><\/p>\n

2. Death<\/strong><\/span><\/h4>\n

– 40 sec. (2 acts)<\/span><\/p>\n

I found my mother\u2019s suicide note.<\/span><\/p>\n

No flowers, no funeral, no nothing.<\/span><\/p>\n

3. Hope<\/strong><\/span><\/h4>\n

– 30 sec.<\/span><\/p>\n

My father was buried on the morning of a hot sunny day.<\/span><\/p>\n

That night, when the rain came, my daughter was born.<\/span><\/p>\n<\/div>\n

\n

 <\/p>\n


\n

 <\/p>\n

 <\/p>\n

\n
\n
\n

Dramatis Personae:<\/span><\/h2>\n

<\/h3>\n

1. Life:<\/span><\/h3>\n

 <\/p>\n

Angela – Soprano<\/span><\/p>\n

Kate – Mezzo-Soprano<\/span><\/p>\n

Tim – Tenor<\/span><\/p>\n<\/div>\n

Paul – Baritone<\/span><\/div>\n<\/div>\n
Crowd – Chorus<\/span><\/div>\n
<\/div>\n<\/div>\n
<\/div>\n
\n
\n
\n

<\/h3>\n

2. Death:<\/span><\/h3>\n

 <\/p>\n

Anne – Soprano<\/span><\/p>\n<\/div>\n

\n

Mary – Mezzo-Soprano<\/span><\/p>\n

Mourners – Chorus<\/span><\/div>\n

<\/h3>\n

3. Hope:<\/span><\/h3>\n

 <\/p>\n

Johanna – Soprano<\/span><\/p>\n<\/div>\n

Costumers\u00a0– Chorus – SATB<\/span><\/div>\n
\n
\n

 <\/p>\n

\n
\n
\n

Instrumentation:<\/span><\/h2>\n<\/div>\n<\/div>\n
\n
2 flutes<\/span><\/div>\n
2 oboes<\/span><\/div>\n
2 clarinets in Bb<\/span><\/div>\n
2 bassoons<\/span><\/div>\n
2 horns<\/span><\/div>\n
2 trumpets in C<\/span><\/div>\n
2 trombones<\/span><\/div>\n
timpani<\/span><\/div>\n
violins I,II<\/span><\/div>\n
violas<\/span><\/div>\n
cellos<\/span><\/div>\n
basses<\/span><\/div>\n
\n
\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

very short operas for the Twitter Age Joao MacDowell – Rehearsal Symphony No1 – Photo by Athena Azevedo Composers’ Notes: \u00a0 I had a conversation with a marketing specialist.\u00a0She told me about contemporary attention span and the ideal efficiency\u00a0of our times: to convey a message in 20 seconds. That left me curious and I did […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1920,"menu_order":4,"comment_status":"open","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"yoast_head":"\nA Trilogy - very short operas for the Twitter Age - jo\u00e3o macdowell<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/joaomacdowell.com\/guided-tour\/opera\/a-trilogy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Trilogy - very short operas for the Twitter Age - jo\u00e3o macdowell\" \/>\n<meta property=\"og:description\" content=\"very short operas for the Twitter Age Joao MacDowell – Rehearsal Symphony No1 – Photo by Athena Azevedo Composers’ Notes: \u00a0 I had a conversation with a marketing specialist.\u00a0She told me about contemporary attention span and the ideal efficiency\u00a0of our times: to convey a message in 20 seconds. 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