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{"id":2059,"date":"2012-09-10T23:28:04","date_gmt":"2012-09-11T03:28:04","guid":{"rendered":"http:\/\/joaomacdowell.com\/?p=2059"},"modified":"2012-09-10T23:28:04","modified_gmt":"2012-09-11T03:28:04","slug":"as-operas-de-2012-no-brasil","status":"publish","type":"post","link":"http:\/\/joaomacdowell.com\/as-operas-de-2012-no-brasil\/","title":{"rendered":"As \u00d3peras de 2012 no Brasil"},"content":{"rendered":"
<\/div>\n
(I usually write in English, but this time it’ll have to be in Portuguese)<\/em><\/strong><\/span><\/address>\n

Encontrei uma lista das produ\u00e7\u00f5es oper\u00edsticas no Brasil de 2012 no site: Movimento.com<\/a><\/p>\n

N\u00e3o creio que o nome seja derivado da \u00e1ria “Movimento<\/a>” na minha \u00f3pera Tamandu\u00e1<\/a>… em todo caso, fiquei feliz em encontrar um portal com bom conte\u00fado, e achei interessante a coincid\u00eancia. Afinal, essa foi a \u00e1ria em que fiz jovens cantores americanos cantar um repente nordestino r\u00e1pido, que acaba por se transformar em musical da Broadway, caracterizando o sonho americano do traficante de drogas… Enfim, \u00e9 o Tamandu\u00e1<\/a>, bandeira, s\u00edmbolo da nossa terra. Quem tiver curiosidade que leia o resumo da hist\u00f3ria<\/a>, ou veja o v\u00eddeo<\/a> dessa cena, onde numa transforma\u00e7\u00e3o trans-cultural os traficantes do morro foram encenados como gangsters de Chicago, eu tenho sempre um sorriso quando penso nas muitas implica\u00e7\u00f5es dessas camadas de interpreta\u00e7\u00e3o…<\/p>\n

Mas eu estava reparando na oferta de espet\u00e1culos no Brasil esse ano. Vale observar que a produ\u00e7\u00e3o est\u00e1 em alta, o que marca uma forte retomada do g\u00eanero no pa\u00eds de Carlos Gomes. O Brasil tem sim uma forte tradi\u00e7\u00e3o oper\u00edstica que continua viva, mesmo quando submersa no inconsciente coletivo das escolas de samba e da mpb.<\/p>\n

\"\"<\/a>

From the score of “Plastic Flowers”: mixing opera with live electronics.<\/p><\/div>\n

Plastic Flowers<\/a><\/p>\n

Mas noto que ainda \u00e9 pouco, dadas as dimens\u00f5es continentais da na\u00e7\u00e3o. As produ\u00e7\u00f5es ainda s\u00e3o descoordenadas. Na Europa existe uma associa\u00e7\u00e3o entre os teatros que cria produ\u00e7\u00f5es itinerantes, o que baixa os custos e aumenta a oferta ao p\u00fablico.<\/p>\n

Tamb\u00e9m noto que n\u00e3o h\u00e1 incentivo para novos compositores, n\u00e3o existem festivais de \u00f3pera contempor\u00e2nea, n\u00e3o existe um debate sobre o que deve ser a \u00f3pera brasileira do s\u00e9culo XXI. Os compositores est\u00e3o abandonados e relegados a seus impulsos her\u00f3icos.<\/p>\n

Apenas uma nova produ\u00e7\u00e3o nacional: \u00d3pera \u201cPiedade\u201d, de Jo\u00e3o Guilherme Ripper, uma louv\u00e1vel encomenda da OPS. Ainda \u00e9 pouco.<\/p>\n

\u00c9 preciso que sejam criados concursos de nova \u00f3pera e que pequenas produ\u00e7\u00f5es sejam discutidas e desenvolvidas em debates entre criadores, produtores e p\u00fablico. N\u00f3s temos grande potencial para ser a na\u00e7\u00e3o que trar\u00e1 a tona uma nova maneira de pensar e executar o g\u00eanero, mas al\u00e9m de repetir os mestres \u00e9 preciso investir na cria\u00e7\u00e3o de novas obras.<\/p>\n

Esse \u00e9 um momento especialmente promissor, um Movimento que entusiasma. Agora podemos unir o poder de comunic\u00e3o da m\u00fasica popular com a vasta gama de recursos t\u00e9cnicos e musicais desenvolvidos no s\u00e9culo passado, al\u00e9m das novas tecnologias de espet\u00e1culo. Temos todos os ingredientes na mesa para a cria\u00e7\u00e3o de dramas complexos e poderosos. Basta mergulhar no movimento. Precisamos ir adiante e dar o passo em dire\u00e7\u00e3o ao espet\u00e1culo total do qual a \u00f3pera que conhecemos ainda \u00e9 apenas uma pr\u00e9via.<\/p>\n

– Deixe Coment\u00e1rios. \ud83d\ude09<\/p>\n","protected":false},"excerpt":{"rendered":"

(I usually write in English, but this time it’ll have to be in Portuguese) Encontrei uma lista das produ\u00e7\u00f5es oper\u00edsticas no Brasil de 2012 no site: Movimento.com N\u00e3o creio que o nome seja derivado da \u00e1ria “Movimento” na minha \u00f3pera Tamandu\u00e1… em todo caso, fiquei feliz em encontrar um portal com bom conte\u00fado, e achei […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-2059","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-brazilian-music","7":"czr-hentry"},"yoast_head":"\nAs \u00d3peras de 2012 no Brasil - 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