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1.0joão macdowellhttps://joaomacdowell.comjoaoma6_wphttps://joaomacdowell.com/author/joaoma6_wp/About Opera - joão macdowellrich600338<blockquote class="wp-embedded-content" data-secret="KN2REOZcU8"><a href="https://joaomacdowell.com/about-opera/">About Opera</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://joaomacdowell.com/about-opera/embed/#?secret=KN2REOZcU8" width="600" height="338" title="“About Opera” — joão macdowell" data-secret="KN2REOZcU8" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> The operatic aria developed from the song form. The aria da capo was preponderant in early baroque opera and for much of the classical period. The ABA form was sometimes criticized because the repetition did not always make sense in the dramatic flow. It is a situation where the musical symmetry of the form takes […]http://joaomacdowell.com/wp-content/uploads/2012/07/Catedral-1.jpg